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2 Comments
Sir, your poems are wonderful. They’re superbly technically accomplished, intelligent (often ingenious), and genuinely funny in a way that’s witty without being dry. And they’re all written in a casual, deceivingly simple, everyday-man style, a style which is a perfect example of art concealing art. I’m a fellow “poet” of light verse, and, having just discovered your work, I would like to offer you these heartfelt homages:
THE HALLOWEENIES ARE MY VALENTINES
They’re weird, they’re grotesque, and I love ‘em,
From Cadmus Jones down through to Boris;
And so, when I start thinking of ‘em,
I hear moaning and groaning in chorus;
Because, on this day made for lovers,
We’re going to make love in the free way
By shrouding ourselves under the covers,
And having a ten-minus-three way.
~
And, in the spirit of your Grammatical Gripes, I’ve written a study in spelling and phonetics:
THOUGHTS ON GH
It’s odd that cough’s pronounced as “coff”,
When through’s pronounced like “threw”.
It makes me think, though I say “troff”,
Trough might just sound like “true”.
But that which really vexes me,
Perplexes me the most,
Is when an H pairs with hard G—
Why have an H in “ghost”?
~
Thanks so much for the compliment, Bud! Love the homages. I’m a sucker for the internal rhyme, so you definitely had me at “vexes/perplexes.” Off to check out your blog now.
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